Featuring 14 domes, a 50-foot minaret and elaborate glazed tilework, the mosque stands out among the region’s historical religious buildings.
Located in the Baqil Pota neighborhood, the mosque is distinguished by its architectural design, interior paintings, historical inscriptions and traditional Sindhi glazed tiles.
According to a report published by Pakistan’s The Friday Times, the mosque underwent major renovation and expansion in 1913 and 1914 under the patronage of Syed Haji Mir Aul Shah. Inscriptions above the entrance, on the interior walls and on the minaret refer to these dates.
The mosque features seven arched entrances decorated with traditional Sindhi ceramic tiles. Its 14 domes also distinguish it from other historic mosques in Matiari, most of which have three domes. The city’s Grand Mosque, with five domes, is another exception.
The report also highlights the mosque’s interior paintings and Arabic and Persian calligraphy, noting that symmetry and proportion are among the defining features of its artistic design. The central dome has preserved some of its original paintings, reflecting the craftsmanship of traditional Sindhi artists.
According to the report, the mosque existed before its renovation in the early 20th century and is considered one of the oldest mosques in Matiari. The religious school of Abul Khair was also established at the mosque by Syed Haji Muhammad Shah, the son of Mir Aul Shah.
Despite its historical and architectural significance, subsequent renovation work has damaged some of the mosque’s original decorative features. The author also criticizes the installation of electrical wires in front of historical inscriptions and tilework, arguing that they detract from the building’s visual appeal.
The report calls for greater public awareness and local community involvement to protect the mosque’s historical inscriptions, paintings and decorative elements and prevent further deterioration of this architectural heritage.
Source: Friday Times
